Travels with Ima – by Robert Jesselson

This year my cello is celebrating its 300 th birthday. Made in 1716 by Jacques Boquay, I call her Ima, as in “I’m A Cello” because whenever I fly with her I book the ticket as Ima Cello. That way I collect the frequent flyer miles and get a free meal! When I was younger it was a lot easier to travel with a cello – in fact when I lived in Germany I used to fly with Swiss Air and they usually just let me take Ima on the plane without paying for a seat. Later I bought a big Kolstein travel case – it is huge and bulky, but it has an inflatable “balloon” that surrounds the cello inside the case and is made out of Kevlar so you can shoot a gun at it [...]

The Bach Suites as you Have Never Seen Them Before – By Antonio Lysy

Hundreds of scholars have studied and written about the Bach Suites, yet we can only speculate about how or when they were first performed. The original manuscript is lost, leaving us with various facsimiles to decipher, and there are no written accounts by Bach’s contemporaries. The one advantage of this predicament is the wide spectrum of artistic decisions on which a cellist is compelled to ruminate, in order to make them “their own”. Apparently the suites were not intended to be performed as a cycle, although this approach has become increasingly common in the last couple of decades. My current perspective, developed over many years of performing and teaching the suites, is that each of the six tells a distinctive story. And, like a series of books or films, each [...]

If it ain’t Baroque, don’t Break it? Thoughts about Playing Bach Today…. – By Inbal Segev

When I decided to record the Bach cello suites a couple of years ago, I started not by playing but by reading. I read Bach's biography, and then a few Baroque practice books (extremely dense and quite boring) and then I became inspired to change almost everything about the way I played Bach. I eventually came back to doing things the way that had been a part of my DNA after years of playing Bach the "modern" way (but improved), and I'd like to share some of my experiments with you. I never played from a manuscript copy before. The notes are difficult to decipher and so the work is slow and cumbersome. Worth it! Playing from copies of the surviving manuscripts by Anna Magdalena and Kellner taught me so [...]

100 Cello Warm-Ups and Exercises: Introduction – by Robert Jesselson

What is the very first thing that you do before you actually start playing the cello on any given day? Do you have certain habits or “ceremonies” when you take the cello out of its case – do you dust it off, or look for cracks, or check the bridge? Do you always take the bow out of the case first by habit, or do you remove the cello first? Do you do any stretching to warm up your body? Then when you actually start playing, do you plunge into the piece you are working on, or do you first do some scales and arpeggios? Or perhaps do you have some little exercises to help you warm up, focus and get started? Maybe you haven’t consciously thought about what you [...]