Self Discovery

Practicing, Some Practice Advice (Part 2) — by Michael Haber

Frustration and Discouragement, Orchestra Auditions, Some Final Thoughts, a Final Comment   FRUSTRATION AND DISCOURAGEMENT: Now is the time to talk about our number one enemy. When I look back over all my teaching, one observation stands out above all others. It has not been a lack of talent or intelligence which stood in the way of progress for most students. It has rather been the fact that many people become both frustrated and discouraged by the amount of work and the unwavering discipline and persistence it usually takes to become an excellent musician. I have something simple to say on this subject: frustration and discouragement have been the common lot of most of the musicians I've known, born of the eternal gap between our dreams of how we want [...]

Practicing, Some Practice Advice (Part 1) — by Michael Haber

I've written this brief essay for purely selfish reasons: I like to see my students improve. When they do, I feel happy, they feel happy, I go home for dinner a happy man. What follows is intended to help you organize your practicing, and your thinking about your practicing, in an effective way. Your progress, mine too, depends on the quality and quantity of this work. It's also intended to encourage you to practice, period. Not all of my students are always inclined to work as well and as much as they should. I should confess from the beginning that I have always loved practicing. It is the royal road to instrumental mastery and the incomparable satisfaction of playing music as well as it deserves to be played. I have [...]

Conquering Coordination Through Broken-Rhythm Patterns — by Grigory Kalinovsky

Reposted from Strings Magazine. One of the most common problems encountered by string players in virtuoso pieces is the coordination between the bow strokes and the left-hand fingers in fast running-note passages (passages consisting of mostly the same note values), especially when the majority of notes are played with separate bows or with a few small slurs thrown in. Examples of these types of passages abound—they include sections from the Finale movement of Wieniawski’s Violin Concerto in D minor, several episodes and the entire coda section of Introduction and Rondo Capriccioso by Saint-Saens, the majority of the Allegro movement from Kreisler’s Preludium and Allegro, and many, many other pieces. Without proper coordination training, playing these passages can create a feeling of the two hands “chasing each other”—and getting tangled up [...]

By | 2017-09-21T02:28:18+00:00 June 14th, 2017|Categories: In the Practice Room, Self Discovery, CelloBlog|Tags: , , |

The Most Erogenous Region of the Cello — by Stefanie Buller

Search for resistance—enjoy the friction! I have been considering the topic “sounding point” (contact point, in German) for a long time now. Where bow hair and string meet is where everything we have to offer—regarding material, technique, power and ease—is channeled. This is the origin of the sound! This is where the action is! Isn't the sounding point therefore the most erogenous region of the cello? But at first a little anecdote: After the Christmas mass the priest stood at the exit, shaking the hands of the parishioners and wishing them a Merry Christmas. What a nice gesture! So I took his hand in return. But it felt like a rubber glove filled with jelly. By intuition I tried to get a grip. (“There must be bones somewhere in this hand…”) [...]

Conversation with Mstislav Rostropovich

Reprinted from Internet Cello Society 11-29-2016 By Tim Janof 4-6-2006 TJ: When you burst onto the music scene, people were struck by your white hot performances. Your sound was strong and your vibrato was wide, which was a striking contrast to your predecessors. Where did your unique concept of sound come from? MR: Let me give you a little background first. My family lived in two-room apartment in Baku until I was seven years old. My mother was a pianist and my father was a cellist who had worked with Casals. There is a picture of me sleeping inside my father's cello case when I was four months old. My first instrument was the piano, which was my first love. To this day, when I am learning a new cello [...]

Preparing for Cello Auditions as a High School Senior – by Drew Cone

Applying and auditioning for schools can be really scary at times, but it doesn’t have to be. I’ve been working on my repertoire for auditions for well over a couple of months now and throughout that time, I’ve learned a few things when it comes to preparing for college. Now, just to clarify, I’m no expert on this stuff; I just thought that maybe if someone if my position had any questions needing answering, it might be nice to hear from another person in the same situation, especially since I’ve already recorded most of my prescreenings and have that experience under my belt. Even if it’s a tiny tip that helps, I hope that this could help out people my age with the same aspirations! Prescreenings The nice thing about [...]

How Music and Cello Changed My Life — by Nathan Chan

Hey CelloBello readers! My name is Nathan Chan and I’ve been playing the cello for over 17 years. Throughout this time period, my relationship with the cello has been an ongoing evolution in the way I see music as an incredibly powerful tool of expression and creativity. What started as a hobby in the beginning of my musical learning initially evolved into a battle for technical mastery and now has begun to blossom as a freeing medium for spontaneity and exploration. As a child born and raised in the 90s, my parents were very supportive of me. My father, a Hong-Kong born cardiologist who emigrated to the states for college, represented the discipline and detail-oriented leader in my early life. My mother, a Chinese-Canadian who is a Juilliard-educated pianist, was [...]

Announcing CelloStream Master Classes 2016 – 2017

Streamed live from Pierce Hall at New England Conservatory in Boston COMING 2016 - 2017: YO-YO MA Monday, October 24th 2016 2:00 - 4:30 pm ET LAURENCE LESSER Sunday, November 13th 2016 7:00 - 9:30 pm ET ANDRÉS DIAZ Tuesday, December 6th 2016 7:00 - 9:30 pm ET PAUL KATZ Sunday, February 19th 2017 7:00 - 9:30 pm ET JOEL KROSNICK Friday, March 31st 2017 1:30 - 3:30 pm ET To tune in for a live-viewing of a CelloStream Artist Master Class, please navigate to the CelloStream page at the appropriate time. To read bios of previous CelloStream master class artists, please see below. PREVIOUS MASTER CLASSES JOEL KROSNICK TRIBUTE Mar 23rd 2016 7:30 pm EDT  Joel Krosnick has performed as soloist, recitalist, and chamber musician around the world. As a member of the Juilliard String [...]

Yo-Yo Ma on Intonation, Practice, and the Role of Music in Our Lives

Reprinted from Strings Magazine, September 17 2015 By Martin Steinberg: "A cellist walks on a beach and picks up a bottle. A genie pops out and says, “I give you two wishes.”  The cellist says: “Wow, I’d like to have world peace.”  The genie thinks for a second and says,  “That’s too hard! What’s your second wish?” The cellist says, “Well, I’m turning 60 and I want to play in tune.”  The genie thinks for a second and says, “What was your first wish again?”  Musicians, take heart. That joke was told by the cellist Yo-Yo Ma during an interview ahead of his 60th birthday on Oct. 7. After 55 years of playing, yes, even Yo-Yo Ma needs to practice. “What all string players have in common is that if [...]

Great Chamber Music Reading and Watching — by Thomas Rosenberg

Besides enormously enhancing listening skills, chamber music study also develops a players’ ability to sight-read, note read and watch. These are skills that are vital in orchestral situations as well. However, this is not about that kind of reading and watching! This is about books, movies and videos that will also greatly enhance the skills of anyone playing chamber music. READING: There are some great books out there about chamber music. None of these are long (300 pages or less) and are relatively quick and easy reading. I hope this will spur the interest of those reading this article to check some of them out. Con Brio: Four Russians Called The Budapest String Quartet by Nat Brandt The Budapest Quartet was perhaps the greatest quartet ever…or certainly one of the most important. They existed for nearly [...]