The Holy Sextet (Part 2) — by Brant Taylor

Part 1 began an exploration of three bow variables that—in addition to the three well-known concepts of weight, speed, and contact point—make up a sextet of basics that should be known and practiced to maximize your control over the string with the bow.  We discussed the first and most important, bow angle, in Part 1. The remaining two variables may seem relatively minor, but they are by no means unimportant. If practicing means attempting to find solutions to the challenges of successful instrumental control, you should attempt to understand every potential reason for success or failure with the bow. FLATNESS OF HAIR, or how much of the hair makes contact with the string. Many cellists hold the bow with the stick tilted up (toward the fingerboard) to some degree. This means that [...]

Travails of Travel with a Cello

Airlines can be sticky about these instruments, no matter how rare and valuable By Peter Robb (Excerpted with permission from OttawaCitizen.com) Don’t tell Pinchas Zukerman, but Amanda Forsyth has another man in her life. His name is Carlo. He’s Italian, 300 years old, about four feet tall and made of wood. On second thought, Zukerman has probably met this guy. He lives in a special carbon fibre case in the home he shares with Forsyth. Carlo is, after all, a cello and a very expensive one at that, having been made by Carlo Giuseppe Testore in 1699 and being worth hundreds of thousands of dollars. […]