cellolessons

cellolessons 2017-01-24T01:04:36+00:00

Eliminate Left Hand Tension (Part 1)

How to eliminate fatigue and increase agility and ease. Cello lesson with Paul Katz.

Shifting: In and Out of Thumb Position

Raising, Lowering Thumb

Alisa Weilerstein Interview: Bow Grip & Arm Weight

Alisa Weilerstein in conversation with Paul Katz at the New England Conservatory of Music, Boston, 2015.

Tschaikovsky Rococo: Var. #1 & 2 (Bow)

Cello Lesson with Paul Katz on Wrist and Fingers Flexibility Controlling Off The String Strokes.

Yo-Yo Ma Master Class: Elgar Concerto Mvt. 3 & 4

Master class with Yo-Yo Ma in Jordan Hall at the New England Conservatory of Music, 2016.

Robert deMaine Master Class: Dutilleux Trois Strophes

Master class with Robert deMaine at the New England Conservatory of Music, 2015.

Alisa Weilerstein Interview: Bow Grip & Arm Weight

Alisa Weilerstein in conversation with Paul Katz at the New England Conservatory of Music, Boston, 2015.

Sitting: Chair, Feet, Power at Tip

Cello lesson with Paul Katz.

Yo-Yo Ma Master Class: Elgar Concerto Mvt. 3 & 4

Master class with Yo-Yo Ma in Jordan Hall at the New England Conservatory of Music, 2016.

Marcy Rosen Master Class: Mendelssohn Sonata in D Major, Mvt. 1 & 2

Master class with Marcy Rosen at the New England Conservatory of Music, 2015.

Yo-Yo Ma Master Class: Elgar Concerto Mvt. 3 & 4

Master class with Yo-Yo Ma in Jordan Hall at the New England Conservatory of Music, 2016.

Nervous and Tight? Exhale!

The exhale is nature's strongest emotional and physical release.

Yo-Yo Ma Interview: On Practicing

Yo-Yo Ma in conversation with Paul Katz in Jordan Hall at the New England Conservatory of Music, 2016.

Robert deMaine Interview: Integrating Bow & Body Motion

Robert deMaine in conversation with Paul Katz at the New England Conservatory of Music, Boston, 2015.

Marcy Rosen Master Class: Dvořák Concerto, Mvt. 1

Master class with Marcy Rosen at the New England Conservatory of Music, 2014.

Paul Katz Master Class: Beethoven Sonata No. 4 in C

Op. 102 No. 1, 1st Movement