cellostream

CANCELLED: Joel Krosnick – Friday, March 31st 2017 at 1:00 pm ET

CelloStream 2017-03-29T23:33:47+00:00

Join the former cellist of the Juilliard String Quartet and chair of Juilliard School
of Music's cello department in this exclusive live-streamed master class
exclusively on CelloBello!

Joel Krosnick

CANCELLED: Friday, March 31st at 1 pm ET:

The internationally recognized soloist, chamber artist and new cellist of the Juilliard
String Quartet in recital followed by a master class – live from Carriage House Violins.

Astrid Schween

Thursday, April 13th at 7 pm ET:

Live from Carriage House Violins

CelloBello founder Paul Katz (Cleveland Quartet) in session – live and direct from
New England Conservatory's Pierce Hall on Facebook Live!

Paul Katz

Monday, April 24th at 8 pm ET:

NEXT CELLOSTREAM MASTERCLASS

– CANCELLED –
JOEL KROSNICK

Friday, March 31st 2017
1:00 pm ET

MASTER CLASS PROGRAM:

1:00 pm ET
Barber: Sonata for Cello and Piano, Mvts 2&3
Francesca McNeeley, cello
Chung Lim, piano

1:35 pm ET
Franck: Sonata for Cello and Piano, Mvt. 3
Chava Appiah, cello
Chewon Park, piano

2:10 pm ET
Schumann: Five Pieces in Folk Style
Peiyao Guo, cello
Jayoung Kim, piano

2:45 pm ET
Brahms: Sonata in F, Mvt 2
Aihao Zheng, cello
You Zhao, piano

3:20 pm ET
Interview with Paul Katz

 





 

PREVIOUS MASTER CLASSES

ROBERT DEMAINE
Monday, Mar 27 2017
7:00 pm

Praised by the New York Times as “an artist who makes one hang on every note,” Robert deMaine is the Principal Cellist of the Los Angeles Philharmonic. A highly sought-after solo artist and chamber musician, he is a frequent guest artist at many of the world’s premier chamber music festivals, including those of Marlboro, Seattle, Great Lakes, Limoges, Heidelberg Schlossfest, Chamberfest Cleveland, Montréal, Seoul’s Ditto Festival, and most recently featured as a soloist at the 2016 Piatigorsky Cello Festival. His playing is noted for its “beautiful singing tone, lapidary technical precision, and a persuasive identification with the idiom of the music at hand.” As a soloist, he performs the great works of the repertoire both old and new from concertos by Haydn, Dvorak, Elgar and Penderecki, as well as more recent works by John Williams and Christopher Theofanidis. As a recitalist the great works for cello and piano as well as the suites of J.S. Bach remain staples of his repertoire, and as one critic noted, his playing was “magnificent” and that his “technical brilliance is surpassed only by the beauty of tones he produces.”

DeMaine has appeared on the stages of Carnegie Hall and Lincoln Center, the Kennedy Center, Teatro Colón, Amsterdam’s Concertgebouw, the Berlin Philharmonie, Vienna Konzerthaus, and Moscow’s Tchaikovsky Hall, Auditorium du Louvre, Suntory Hall and the Seoul Arts Center, as well as the Shanghai Oriental Arts Center and Conservatory and London’s Wigmore Hall, among others.

LAURENCE LESSER
Thursday, Jan 26 2017
4:00 pm

Laurence Lesser was a top prize winner in the 1966 Tchaikovsky Competition in Moscow and a guest performer in the historic Heifetz-Piatigorsky concerts and recordings of the Tchaikovsky Sextet and Spohr Octet for RCA-Victor. In 1976 he gave the premiere of Menotti’s Fantasia (written for him under a Ford Foundation grant) with the New Japan Philharmonic under Seiji Ozawa; in 1991, he performed the New England premiere with the NEC Symphony conducted by Mstislav Rostropovich. He has been a soloist with the BSO, the London Philharmonic, the Los Angeles Philharmonic, the New Japan Orchestra and other major orchestras. In 1966, Lesser was the first to perform the Schoenberg Cello Concerto with orchestra since its 1938 debut by Emanuel Feuermann. Subsequently, in 1968, Lesser became the first to record this work.

Lesser has appeared at the Casals, Spoleto, Marlboro, Charleston, and Santa Fe festivals as well as London’s South Bank Summer Music Festival. He has also been actively involved with the Banff Centre for the Arts in Canada. In 2005, Lesser was named a “Chevalier du Violoncelle” by the Eva Janzer Memorial Cello Center at Indiana University, awarded for distinguished achievements and contributions to the world of cello playing and teaching.

wispelwey267PIETER WISPELWEY
plays the complete six solo cello suites of J.S. Bach

Saturday, Jan 14th 2017
1:30 pm ET

Pieter Wispelwey is among the first of a generation of performers who are equally at ease on the modern or the period cello. His acute stylistic awareness, combined with a truly original interpretation and a phenomenal technical mastery, has won the hearts of critics and public alike in repertoire ranging from JS Bach to Schnittke, Elliott Carter and works composed for him.

Highlights among future concerto performances include a major tour in Australia, focusing on the cello concertos dedicated to Rostropovich (Sydney Symphony, Queensland Symphony, West Australian Symphony, Melbourne Symphony, and Canberra International Festival), as well as engagements with the National Symphony of Ireland, Warsaw Philharmonic, Stuttgart Philharmonic, Beethovenorchester Bonn, Liege Philharmonic, Musikkollegium Winterthur and Sao Paulo Symphony. Recent and future recital highlights include Vienna (Konzerthaus), Paris (Louvre), London (LSO St Luke’s, Wigmore Hall), Amsterdam (Concertgebouw, Prinsengracht), Brussels (Flagey), Boston (Celebrity Series), San Francisco, Princeton, Dortmund (Konzerthaus), Essen (Philharmonie), Tokyo (Toppan Hall, Bunka Kaikan), Beijing (National Performing Arts Centre), and the Seoul Arts Center.

Wispelwey’s career spans five continents and he has appeared as soloist with many of the world’s leading orchestras, including the Boston Symphony, Dallas Symphony, St Paul’s Chamber Orchestra, NHK Symphony, Yomiuri Nippon, Tokyo Philharmonic, Sapporo Symphony, Sydney Symphony, London Philharmonic, Hallé Orchestra, BBC Symphony, BBC Scottish Symphony, Orchestra of the Age of Enlightenment, Academy of Ancient Music, Gewandhaus Orchester Leipzig, Danish National Radio Symphony, Budapest Festival Orchestra and Camerata Salzburg, collaborating with conductors including Ivan Fischer, Esa-Pekka Salonen, Herbert Blomstedt, Yannick Nézet-Séguin, Jeffrey Tate, Kent Nagano, Sir Neville Marriner, Philippe Herreweghe, Vassily Sinaisky, Vladimir Jurowski, Paavo Berglund, Louis Langrée, Marc Minkowski, Ton Koopman, Libor Pesek and Sir Roger Norrington.

AndresDiazANDRÉS DÍAZ
Tuesday, Dec 6th 2016
7:00 pm ET

Since winning the First Prize in the 1986 Naumburg International Cello Competition, Andrés Díaz has exhilarated both critics and audiences with his intense and charismatic performances. He has earned exceptional reviews for his “strongly personal interpretive vision” (The New York Times) and his “bold and imaginative” playing (The Boston Globe) and was awarded the prestigious Avery Fisher Career Grant as well as a generous grant from the Susan W. Rose Fund for Music in 1998.

Díaz’s numerous orchestral appearances have included return engagements with the Atlanta Symphony under the late conductor Robert Shaw; performances with the American Symphony at Carnegie Hall; the symphony orchestras of Milwaukee, Seattle, and Rochester under Christopher Seaman; the Boston Pops and Esplanade Orchestras; the Chicago Symphony at the Ravinia Festival with Edo de Waart conducting; and the National Symphony Orchestra.

Díaz is very active with the Díaz String Trio, featuring violinist Andres Cardenes and violist Roberto Diaz. At Carnegie Hall in April 2003, the trio performed the world premiere of a string trio written for them by Gunther Schuller. The trio has performed in the cities of Pittsburgh, Washington, Boston, Los Angeles and Miami; at the Kuhmo Festival in Finland, the International Festival of St. Cypriene and the Casals Festival in France; and they have toured extensively in South America, Mexico and Canada. The trio was invited by Isaac Stern to play at Carnegie Hall’s Centennial Celebration, and from 1994 to 1996 it served as Trio in Residence at the Florida International University. They released its first recording featuring the music of Paganini on the Dorian label. A second recording was released in 2003, featuring music by Penderecki, Dohnayi, and Beethoven.

 YoYoMa_345x290YO-YO MA
Monday, Oct 24th 2016
2:00 – 4:30 pm ET

Yo-Yo Ma maintains a balance between his engagements as soloist with orchestras throughout the world and his recital and chamber music activities. He draws inspiration from a wide circle of collaborators, creating programs with such artists as Emanuel Ax, Daniel Barenboim, Kayhan Kalhor, Ton Koopman, Yu Long, Edgar Meyer, Mark Morris, Cristina Pato, Kathryn Stott, Chris Thile, Michael Tilson Thomas, Wu Man, Wu Tong, and Damian Woetzel. Each of these collaborations is fueled by the artists’ interactions, often extending the boundaries of a particular genre. One of Mr. Ma’s goals is the exploration of music as a means of communication and as a vehicle for the migration of ideas across a range of cultures throughout the world. To that end, he has taken time to immerse himself in subjects as diverse as native Chinese music with its distinctive instruments and the music of the Kalahari bush people in Africa.

Expanding upon this interest, in 1998, Mr. Ma established Silkroad, a nonprofit organization that seeks to create meaningful change at the intersections of the arts, education and business. Under his artistic direction, Silkroad presents performances by the acclaimed Silk Road Ensemble and develops new music, cultural partnerships, education programs, and cross-disciplinary collaborations. Silkroad’s ongoing affiliation with Harvard University has made it possible to develop programs such as the Arts and Passion-Driven Learning Institute for educators and teaching artists, held in collaboration with the Harvard Graduate School of Education, and a new Cultural Entrepreneurship initiative in partnership with Harvard Business School. More than 80 new musical and multimedia works have been commissioned for the Silk Road Ensemble from composers and arrangers around the world.

Through his work with Silkroad, as throughout his career, Yo-Yo Ma seeks to expand the cello repertoire, frequently performing lesser known music of the 20th century and commissions of new concertos and recital pieces. He has premiered works by a diverse group of composers, among them Elliott Carter, Richard Danielpour, Osvaldo Golijov, Leon Kirchner, Zhao Lin, Christopher Rouse, Giovanni Sollima, Bright Sheng, Tan Dun, John Williams and Dmitri Yanov-Yanovsky.


JoelKrosnickJOEL KROSNICK TRIBUTE
Mar 23rd 2016
7:30 pm EDT 

Joel Krosnick has performed as soloist, recitalist, and chamber musician around the world. As a member of the Juilliard String Quartet since 1974, he has performed the great quartet literature throughout North America, Europe, Asia, and Australia. With his sonata partner of more than 30 years, pianist Gilbert Kalish, Mr. Krosnick has performed recitals throughout the U. S. and Europe. Since 1976, they have given annual series of recitals in New York City and in 2007 presented the series “American Milestones of the Last 100 Years” at The Juilliard School.

A dedicated teacher, Mr. Krosnick is chair of the cello department of The Juilliard School and is a member of the faculty of Kneisel Hall Chamber Music Festival in Maine. He has been associated with the Aspen, Marlboro and Tanglewood music festivals, and appeared for the third time as a member of the artist-faculty of the Piatigorsky Seminar at the University of Southern California. A recipient of the Chevalier du Violoncelle Award from the Eva Janzer Memorial Cello Center at the Indiana University School of Music, Mr. Krosnick holds honorary doctoral degrees from Michigan State University, Jacksonville University, and the San Francisco Conservatory of Music.

PaulKatzPAUL KATZ
Monday, Jan 25th 2016
4:00 – 5:30 pm ET

Paul Katz is known to concertgoers the world over as cellist of the Cleveland Quartet, which during an international career of 26 years made more than 2500 appearances on four continents, in all of the music capitals, great concert halls and music festivals of the world. As a member of this celebrated ensemble from 1969-1995, he performed at the White House and on many television shows including “CBS Sunday Morning,” NBC’s “Today Show,” “The Grammy Awards” (in 1973, the first classical musicians ever to appear on that show,) and was seen in “In The Mainstream: The Cleveland Quartet,” a one hour documentary televised across the U.S. and Canada.

Mr. Katz has received many honors, including the American String Teacher’s Association “Artist-Teacher of the Year 2003, Indiana University’s “Chevalier du Violoncelle”, Chamber Music America’s highest honor, The Richard M. Bogomolny National Service Award,  and an Honorary Doctorate of Musical Arts from Albright College. Mr. Katz served for six years as President of Chamber Music America. As an author, he has appeared in numerous publications and wrote the liner notes for the Cleveland Quartet’s three-volume set of the complete Beethoven Quartets on RCA Red Seal.

PeterStumpfPETER STUMPF
Tuesday, Oct 27th 2015
7:00 pm EDT

Peter Stumpf is professor of cello at the Indiana University Jacobs School of Music. Prior to his appointment, he was principal cellist of the Los Angeles Philharmonic. A dedicated chamber music musician, he is a member of the Johannes String Quartet and has appeared on the chamber music series at Carnegie Hall, Kennedy Center, the Boston Celebrity Series, the Da Camera Society in Los Angeles, Walt Disney Concert Hall, Concertgebouw in Amsterdam, Casals Hall in Tokyo, and at the concert halls of Cologne. He has performed with the chamber music societies of Boston and Philadelphia and at the Casals Festival in Puerto Rico as well as the Festivals of Marlboro, Santa Fe, Bridgehampton, Ottawa, Great Lakes, Ojai, Spoleto, and Aspen. He has toured with Music from Marlboro, the Casals Hall Ensemble in Japan, and with pianist Mitsuko Uchida in performances of the complete Mozart Piano Trios.

Concerto appearances have been with the Boston Symphony, the Philadelphia Orchestra, the Los Angeles Philharmonic, the Boston Philharmonic, the Virginia Symphony, the Vermont Symphony, the Connecticut String Orchestra, the Chamber Orchestra of the South Bay, the American Youth Symphony, and at the Aspen Music Festival. As a recitalist, he has performed at the Universities of Hartford, Syracuse, and Delaware, at Jordan Hall in Boston, and at the Philips and Corcoran Galleries in Washington, D.C. Most recently, he performed the Six Suites for Solo Cello by J. S. Bach on the Philadelphia Chamber Music Society Series and on the Chamber Music in Historic Sites Series in Los Angeles. His awards include first prize in the Washington International Competition, the Graham-Stahl Competition, and the Aspen Concerto Competition and second prize in the Evian International String Quartet Competition.

GaryHoffmanGARY HOFFMAN
Sunday, Oct 18th 2015
1:00 pm EDT

Gary Hoffman is one of the outstanding cellists of our time, combining instrumental mastery, great beauty of sound, and a poetic sensibility. Mr. Hoffman gained international renown upon his victory as the first North American to win the Rostropovich International Competition in Paris in 1986. A frequent soloist with the world’s most noted orchestras, he has appeared with the Chicago, London, Montreal, Toronto, San Francisco, Baltimore and National symphony orchestras as well as the English, Moscow and Los Angeles chamber orchestras, the Orchestre National de France, the Orchestre de la Suisse Romande, the Netherlands and Rotterdam philharmonics, the Cleveland Orchestra for the Blossom Festival and Philadelphia Orchestra, among many others. Mr. Hoffman collaborates regularly with such celebrated conductors as André Prévin, Charles Dutoit, Mstislav Rostropovich, Pinchas Zuckerman, Andrew Davis, Herbert Blomstedt, Kent Nagano, Jésus Lopez-Cobos and James Levine. In the 2015-16 season he performs Elgar’s Concerto in E Minor with the Baton Rouge Symphony.

Gary Hoffman performs in major recital and chamber music series throughout the world, as well as at such prestigious festivals as Ravinia, Marlboro, Aspen, Bath, Evian, Helsinki, Verbier, Mostly Mozart, Schleswig-Holstein, Stresa, Festival International de Colmar, and Festival de Toulon. He is a frequent guest of string quartets including Emerson, Tokyo, Borromeo, Brentano, and Ysaye. Mr. Hoffman performs throughout Europe with various orchestras: Cordoba, Helsingborg, Warsaw, Stavanger, Budapest, Bodensee Festival, Orchestre National d’Ile de France, Russian National Philharmonic, het Gelders Orchestra, Holland, Luxembourg; and around the world in the United States, Asia, South Africa, in halls such as the Théâtre du Châtelet, Théâtre des Champs Elysées, Auditorium de Dijon, Concertgebouw, and the Kennedy Center. He also plays and gives master classes at the Ravinia Festival, Bloomington, Kobé, Manchester Cello Festival, Kronberg Cello Akademie, Salzburger Mozarteum, Festival de Prades, and Santa Fe.

LluisClaretLLUÍS CLARET
Sunday, Oct 11th 2015
1:00 pm EDT

Born in Andorra, Spain in 1951, from exiled catalan parents, Lluís Claret began his musical studies at the age of 9. His musical future would be strongly marked by his contact with great teachers such as Maurice Gendron, Radu Aldulescu and Enric Casals (Pablo Casals brother) who, though not a cellist, would be his principal musical adviser for many years. His meetings with György Sebök, Eva Janzer and Bernard Greenhouse were also to be decisive for the development of his artistic personality.

First Prizes at the Casals (1976) and Rostropovitch (1977) Competitions helped to project an international career to the principal capitals of Europe, America and Asia. He received invitations from The Washington National Symphony, Czech Philharmonic, English Chamber Orchestra, France National Orchestra, as well as others in cities such as Tokyo, Seoul, Düsseldorf, Stuttgart, Bamberg, Moscow, Madrid, Barcelona, and has played under the baton of Vaclav Neuman, Mstislav Rostropovitch, Pierre Boulez, Karl Münchinger, Dimitri Kitaienko, Sakari Oramo and Georges Malcom among others.

Marcy Rosen PictureMARCY ROSEN
Tuesday, Sept 22nd 2015
10:00 am EDT

Marcy Rosen has established herself as one of the most important and respected artists of our day. Los Angeles Times music critic Herbert Glass has called her “one of the intimate art’s abiding treasures.” She has performed in recital and with orchestra throughout Canada, England, France, Japan, Italy, Switzerland, and all fifty of the United States. She made her concerto debut with the Philadelphia Orchestra at the age of eighteen and has since appeared with such noted orchestras as the Dallas Symphony, the Phoenix Symphony, the Caramoor Festival Orchestra, the Orpheus Chamber Orchestra in Carnegie Hall, the Jupiter Symphony and Concordia Chamber Orchestra at Alice Tully Hall, and the Tokyo Symphony at the famed Orchard Hall in Tokyo. In recital she has appeared in New York at such acclaimed venues as Carnegie Hall, the 92nd Street “Y” and Merkin Concert Hall; in Washington D.C. at the Kennedy Center, Dumbarton Oaks, the Phillips Collection and the Corcoran Gallery, where for many years she hosted a series entitled “Marcy Rosen and Friends.” In recent seasons she has given Master Classes and appeared on stage in Beijing and Shanghai, China, the Seoul Arts Center in Korea and in Cartagena, Colombia.

A consummate soloist, Ms. Rosen’s superb musicianship is enhanced by her many chamber music activities. She has collaborated with the world’s finest musicians including Leon Fleisher, Richard Goode, Andras Schiff, Peter Serkin, Mitsuko Uchida, Isaac Stern, Robert Mann, Sandor Vegh, Kim Kashkashian, Jessye Norman, Lucy Shelton, Charles Neidich and the Juilliard, Emerson, and Orion Quartets. She is a founding member of the ensemble La Fenice, a group comprised of Oboe, Piano and String Trio, as well as a founding member of the world renowned Mendelssohn String Quartet. With the Mendelssohn String Quartet she was Artist-in-Residence at the North Carolina School of the Arts and for nine years served as Blodgett-Artist-in Residence at Harvard University. The Quartet which disbanded in January of 2010, toured annually throughout the United States, Canada and Europe for 31 years.

Alisa Weilerstein PictureALISA WEILERSTEIN
Apr 30th 2015
2:30 pm EDT

“A young cellist whose emotionally resonant performances of both traditional and contemporary music have earned her international recognition, … [Alisa] Weilerstein is a consummate performer, combining technical precision with impassioned musicianship.” So stated the MacArthur Foundation when awarding Alisa Weilerstein a 2011 MacArthur “genius grant” Fellowship, prompting the New York Times to respond: “Any fellowship that recognizes the vibrancy of an idealistic musician like Ms. Weilerstein … deserves a salute from everyone in classical music.” In performances marked by intensity, sensitivity, and a wholehearted immersion in each of the works she interprets, the American cellist has long proven herself to be in possession of a distinctive musical voice. As the Los Angeles Times explains, “Weilerstein’s cello is her id. She doesn’t give the impression that making music involves will at all. She and the cello seem simply to be one and the same.”

Weilerstein has appeared at major music festivals throughout the world, including Aspen, Bad Kissingen, Delft, Edinburgh, Jerusalem Chamber Music, La Jolla SummerFest, Mostly Mozart, Salzburg, Schleswig-Holstein, Tanglewood, and Verbier. In addition to her appearances as a soloist and recitalist, Weilerstein performs regularly as a chamber musician. She has been part of a core group of musicians at the Spoleto Festival USA for the past eight years and also performs with her parents, Donald and Vivian Hornik Weilerstein, as the Weilerstein Trio, the trio-in-residence at Boston’s New England Conservatory.

DeMaineROBERT deMAINE
Apr 13th 2015
2:00 pm EDT

Robert deMaine is an American virtuoso cellist who has been hailed by The New York Times as “an artist who makes one hang on every note”. He has distinguished himself as one of the finest and most versatile instrumentalists of his generation, performing to critical acclaim as soloist, recitalist, orchestral principal, recording artist, and chamber musician. In 2012 he was invited to join the Los Angeles Philharmonic as Principal Cello.

deMaine has appeared on the stages of Carnegie Hall and Lincoln Center, the Kennedy Center, the Teatro Colón, Amsterdam’s Concertgebouw, the Berlin Philharmonie, Vienna Konzerthaus, and Moscow’s Tchaikovsky Hall, among others. He was the first cellist ever to win San Francisco’s prestigious Irving M. Klein International Competition for Strings. The recipient of a career grant from the Helen M. Saunders Foundation, deMaine’s distinctions have included first prizes and awards from numerous competitions. His principal teachers include Leonard Rose, Stephen Kates, Steven Doane, Paul Katz, Ronald Leonard, and Aldo Parisot, among others. Master classes and additional studies were undertaken with Bernard Greenhouse, János Starker, Boris Pergamenschikow, Felix Galimir, and Jerome Lowenthal.


JoelKrosnickJOEL KROSNICK
Oct 19th 2014
10 am – 12 noon EDT 

Joel Krosnick has performed as soloist, recitalist, and chamber musician around the world. As a member of the Juilliard String Quartet since 1974, he has performed the great quartet literature throughout North America, Europe, Asia, and Australia. With his sonata partner of more than 30 years, pianist Gilbert Kalish, Mr. Krosnick has performed recitals throughout the U. S. and Europe. Since 1976, they have given annual series of recitals in New York City and in 2007 presented the series “American Milestones of the Last 100 Years” at The Juilliard School.

A dedicated teacher, Mr. Krosnick is chair of the cello department of The Juilliard School and is a member of the faculty of Kneisel Hall Chamber Music Festival in Maine. He has been associated with the Aspen, Marlboro and Tanglewood music festivals, and appeared for the third time as a member of the artist-faculty of the Piatigorsky Seminar at the University of Southern California. A recipient of the Chevalier du Violoncelle Award from the Eva Janzer Memorial Cello Center at the Indiana University School of Music, Mr. Krosnick holds honorary doctoral degrees from Michigan State University, Jacksonville University, and the San Francisco Conservatory of Music.

Marcy Rosen PictureMARCY ROSEN
Sept 28 2014
2:30 – 5:15 pm EDT 

Marcy Rosen has established herself as one of the most important and respected artists of our day. Los Angeles Times music critic Herbert Glass has called her “one of the intimate art’s abiding treasures.” She has performed in recital and with orchestra throughout Canada, England, France, Japan, Italy, Switzerland, and all fifty of the United States.

A consummate soloist, Ms. Rosen’s superb musicianship is enhanced by her many chamber music activities. She has collaborated with the world’s finest musicians including Leon Fleisher, Richard Goode, Andras Schiff, Mitsuko Uchida, Isaac Stern, Robert Mann, Sandor Vegh, Kim Kashkashian, Lucy Shelton, Charles Neidich and the Juilliard, Emerson, and Orion Quartets. She is a founding member of the ensemble La Fenice, a group comprised of Oboe, Piano and String Trio, as well as a founding member of the world renowned Mendelssohn String Quartet.

GARY HOFFMAN
April 8 2014
2 – 5 pm EST 

Gary Hoffman is one of the outstanding cellists of our time, combining instrumental mastery, great beauty of sound, and a poetic sensibility. Mr. Hoffman gained international renown upon his victory as the first North American to win the Rostropovich International Competition in Paris in 1986. A frequent soloist with the world’s most noted orchestras, he has appeared with the Chicago, London, Montreal, Toronto, San Francisco, Baltimore and National symphony orchestras as well as the English, Moscow and Los Angeles chamber orchestras, the Orchestre National de France, the Orchestre de la Suisse Romande, the Netherlands and Rotterdam philharmonics, the Cleveland Orchestra for the Blossom Festival and Philadelphia Orchestra, among many others. Mr. Hoffman collaborates regularly with such celebrated conductors as André Prévin, Charles Dutoit, Mstislav Rostropovich, Pinchas Zuckerman, Andrew Davis, Herbert Blomstedt, Kent Nagano, Jésus Lopez-Cobos and James Levine. View video of Gary Hoffman masterclass

wispelwey267PIETER WISPELWEY
Tuesday, 11 February 2014
7:00 – 9:30 pm

Pieter Wispelwey is among the first of a generation of performers who are equally at ease on the modern or the period cello. His acute stylistic awareness, combined with a truly original interpretation and a phenomenal technical mastery, has won the hearts of critics and public alike in repertoire ranging from JS Bach to Schnittke, Elliott Carter and works composed for him. View videos from previous Pieter Wispelwey master classes

RalphKirshbaum

RALPH KIRSHBAUM
Tuesday, 21 October 2013
7:00 pm-9:30 pm

Ralph Kirshbaum has appeared with many of the world’s great orchestras, including the Boston, Chicago, San Francisco, Pittsburgh, BBC and London Symphonies, Cleveland Orchestra, Los Angeles Philharmonic, Philharmonia, Zurich Tonhalle, Orchestre de Paris and Israel Philharmonic. He has collaborated with many of the great conductors of the time such as Herbert Blomstedt, Semyon Bychkov, Christoph von Dohnányi, Andrew Davis, the late Sir Colin Davis, James Levine, Kurt Masur, Zubin Mehta, Sir Antonio Pappano, André Previn, Sir Simon Rattle, and the late Sir Georg Solti. Ralph Kirshbaum has appeared frequently at such prominent international festivals as Edinburgh, Bath, Verbier, Lucerne, Aspen, La Jolla, Santa Fe, Music@Menlo, Ravinia, and New York’s Mostly Mozart.

A renowned pedagogue, he served on the faculty of the Royal Northern College of Music in Manchester for 38 years, and in 2008 accepted the Gregor Piatigorsky Chair in Violoncello at the University of Southern California’s Thornton School of Music. He serves as artistic advisor of IMS Prussia Cove, and is Founder/Honorary president of the Pierre Fournier Award as well as honorary president of the London Cello Society. He recently served for five years on the US President’s Committee on the Arts and the Humanities. View videos from previous Ralph Kirshbaum master classes

lluis claretLLUÍS CLARET
Thursday, 26 September 2013
7:00 pm-9:30 pm

Born in Andorra in 1951, from exiled Catalan parents, Lluís Claret began his musical studies at the age of 9. His musical future was strongly marked by his contact with great teachers as Maurice Gendron, Radu Aldulescu and Enric Casals (Pablo Casals’ brother), who, besides not being a cellist, was his principal musical adviser for many years. His meetings with György Sebök, Eva Janzer and Bernard Greenhouse were also decisive for the development of his artistic personality.

He founded the Barcelona Trio (1980-1993), performs regularly with the pianists Josep-Maria Colom and Benedicte Palko and collaborates very often with other prestigious musicians at festivals like Kuhmo, Naantali, Ernen, l’Epau, Pablo Casals (Prades), Granada, and Seoul.

His great interest in contemporary music brought him to a close professional collaboration with Henri Dutilleux, Witold Lutoslawski, Kristoff Penderecki, Joan Guinjoan, Iannis Xenakis and Pierre Boulez.

Master classes from earlier years