cellosophies

Even the creative genius may suffer fears, doubts and vulnerabilities. Teaching must inspire, motivate, impart high ideals, and help each to discover and trust their unique talent and strengths. – Paul Katz

Artistry is in the details.

Progress is impossible without change. – George Bernard Shaw

Cello playing is 90% perspiration and 10% inspiration. – Janos Starker

There exists a performance nirvana, an aural and physical union of ears, hands, emotions, and instinct in miraculous interaction. Conscious, reasoned thought, critical to the learning process, still flickers and informs, but it is intuition and inspiration that are primary in this state of creative transcendence. – Paul Katz

Listening is the conduit through which all physical actions creating expressive results are filtered. – Elizabeth Aureden

Intelligence is everywhere in the body, nature and the universe.

My goal is to convey a true masterpiece in whatever I play. – Janos Starker

Everyone knows what they can't do--our weaknesses scream at us in the practice room every day. To perform, you must know what you can do and bring the attention of your audience to those strengths. – Gregor Piatigorsky

Talent has an irresistible hunger; not properly fed, it becomes angry, desperate. Talent's only food is gratification from the creative process. The talented, imprisoned by their gift, have no choice but to satisfy it. Commit, work, grow–your fulfillment and happiness depend upon it. – Paul Katz

Improper body use is like a pebble in your shoe. A nagging discomfort, it can cause severe damage over time. – Victor Sazer

Thinking is the biggest mistake a dancer can make. You have to feel, you have to "become" – Michael Jackson

Creativity takes courage. – Henri Matisse

Variety, variety--no two snowflakes are alike, no two notes are alike. – Pablo Casals

The fingers have no brains, and they have no ears! – Gregor Piatigorsky

As a teacher, my first task is to teach the students how to practice. Once they understand this, they begin to make progress. – Ivan Galamian

Even the smallest motion involves your entire body. Your body functions as a unified whole rather than as a collection of isolated parts.Those who focus too much on small motor movements can easily lose this vital connection with the rest of the body. –Victor Sazer

Our bodies continually provide us with information, yet we too often ignore or do not understand their messages. Awareness is the first step. – Victor Sazer

Logic will get you from A to B. Imagination will take you everywhere. – Albert Einstein

We are what we repeatedly do. Excellence, then, is not an act, but a habit. – Aristotle

The greatest mistake you can make is to be continually fearing you will make one. – Elbert Hubbard

If you aren't making mistakes, you aren't trying. – Wynton Marsalis

Teaching moves through generations. If you believe in the principles that represent the truth in the masterpieces, then you try to preserve those principals. They can be preserved only through teaching. – Janos Starker

I still have not found anything more permanent or more beautiful than music. – Janos Starker

cellowisdoms

Create a more spectacular legato by connecting notes with a beautiful, continuous vibrato. – Midori

The body has its own wisdom: listen to it, learn from it. – Paul Katz

Tai Chi teaches us,"Tightness is Weakness; Softness is Strength."

Each hand has independent functions, yet they strongly influence each other. You cannot divide the body down the middle-- seek similar feelings uniting the two hands. – Paul Katz

Squeezing the thumb blocks flexibility of the wrist and fingers. – Paul Katz

Feel the springiness of the ricochet vibrating within the fingers of your right hand. Get so loose that you feel you have no control at all -- then you suddenly you discover you do. – Paul Katz

The left hand is your thoughts, the right hand is your tongue. – Gregor Piatigorsky

Renown violin pedagogue Shirley Givens uses the same imagery in her wonderful method book "Adventures in Violinland", Book 1C, "Meet The Bow", available through Shar Products. Imagine that your Bow is a Ship and the Strings are an Ocean. In big playing you can feel as an ocean-liner, heavy and deep beneath the surface, pulling your boat through the resistance of the water. In soft, intimate moments, suspend your weight and feel as a toy boat lightly floating on the surface where there is no resistance at all. – Paul Katz

Playing the cello is dropping all of your weight into the instrument, or holding all of it off, and....everything in between! – Gregor Piatigorsky

A tight bow grip blocks agility, sensitivity to touch, and hence, nuance and color. – Paul Katz

A fast shift is like driving down the street one hundred miles per hour and trying to get into a tight parking space. You might make it, but the risk is high. – Dorothy DeLay

Our heart has the most wonderful partner in our hands--their gestures are the outward expression of what we feel inside. – William Pleeth

Inseparable, the bow and vibrato together create and shape the contour of the musical phrase. – Paul Katz

Vibrato is tied to the heart; how we vary it helps us express moods, characters, and emotions. Vibrato is a defining quality of each person's unique sound and artistry. – Paul Katz

Renown violin pedagogue Shirley Givens also uses the same crew of a ship imagery in her wonderful 1993 method book "Adventures in Violinland", Book 1C, "Meet The Bow", available through Shar Products. ...Balance and flexibility give us more bow control than gripping and squeezing; they are essential to mastery of the bow. – Paul Katz

Keep your left wrist flat; bending your wrist creates tension in your hand and limits finger dexterity. – Paul Katz

The choice of angle and the positioning of your fingers will help you vary your vibrato speeds. – Paul Katz

Mastery of intonation depends more on training the ears than the hand. – Paul Katz

Sautilllé needs enough downward weight to activate the springiness of the bow stick and set the rebound in motion -- Like a bouncing ball, throw it down – it will come up by itself. – Paul Katz

Over-squeezing the thumb will block needed flexibility of the wrist and fingers. – Paul Katz

The ears reveal everything we need to know, including the solution. – Brian Hodges

There is a “place” we can go where our ears, mind, body become one with each other, and we become one with the music and the cello. – Paul Katz

There is a world of intonation possibility within a half-step. – Paul Katz

Our heart has the most wonderful partner in our hands--their gestures are the outward expression of what we feel inside. – William Pleeth

Sautilllé needs enough downward weight to activate the springiness of the bow stick and set the rebound in motion -- Like a bouncing ball, throw it down – it will come up by itself. – Paul Katz

Our heart has the most wonderful partner in our hands--their gestures are the outward expression of what we feel inside. – William Pleeth

Bach is the supreme genius of music... This man, (Bach) who knows everything and feels everything, cannot write one note, however unimportant it may appear, which is anything but transcendent. He has reached the heart of every noble thought, and has done it. – Pablo Casals

This man, (Bach) who knows everything and feels everything, cannot write one note, however unimportant it may appear, which is anything but transcendent. He has reached the heart of every noble thought. – Pablo Casals